Dublin Day 2, Part 2
While I’m no expert on couture fashion, the pieces displayed at the National Museum of Ireland- Decorative Arts’s Special exhibition of Ib Jorgensen’s fashion were clearly a cut above the ordinary. Born in Denmark, Jorgensen immigrated with his family to Ireland in 1950. He attended Dublin’s Grafton Academy of Dress Designing and first garnered attention when he won the Academy Cup is his graduating year fashion show in the tailored suits and coats division.
Hand embroidered and beaded silk jacket with evening skirt of green silk faille, 1989
Bead embroidery detail
Bead embroidery detail
Jorgensen’s work caught the eye of fashion hours, Nicolas O’Dwyer, who hired him as a designer and pattern cutter at only 20 years old. He was strongly influenced by the high standards of quality demanded by the workforce dervived from an old Jewish tailoring business.
Ib Jorgensen on the exhibition poster at the National Museum of Ireland- Decorative Arts, Dublin
High quality tailoring, superior pattern cutting, a relentless attention to detail and flawless finishing became the hallmarks of Jorgensen’s work.
The exhibition looks back at Ib’s long career, displaying a selection of some forty garments including day, cocktail and evening wear from across three and a half decades, supplemented with original fashion photography and illustrations. His first wife Patricia, a textile designer, created designs for extravagant hand beading, appliqué and embroidery, and these techniques were frequently used to great effect on Ib’s evening wear.
Hand beaded sequin shift dress in a harlequin design of soft pastel colors, 1967
Evening dress of orange silk voile with halter necked bodice entirely beaded and embroidered, 1985
Halter bodice detail
Beadwork embroidery detail.
For more information on this exhibition, go to the museum’s website at:
https://www.museum.ie/Decorative-Arts-History/Exhibitions/Current-Exhibitions/Ib-Jorgensen-–-A-Fashion-Retrospective