Our exhibition for the Gail Harker Center for Creative Arts for Level 3 Advanced Experimental Stitch is now complete.  I say this with a sigh of relief twinged with a bit of sadness.  We’ve been in this course for the last 2 1/2 years… meeting every three months and working on homework just about daily during that time.  My friends in the class and I have grown artistically through the process that our mentors, Gail Harker and Penny Peters, have instilled as a way of working, applying design and testing to our artwork.

Christina's large-scale wall piece is a 3D Stumpwork heron, "Focused Intent"

Christina’s large-scale wall piece is a 3D Stumpwork heron titled “Focused Intent”

 

Graduates (L to R) Marilyn Olsen, Christina Fairley Erickson, Nancy Drake, Tutors Penny Peters and Gail Harker, and graduate Barbara Fox

Graduates (L to R) Marilyn Olsen, Christina Fairley Erickson, Nancy Drake, Tutors Penny Peters and Gail Harker, and graduate Barbara Fox

As part of the exhibition, each of the graduates had to give a talk and answer questions on some aspect of their studies or artwork.  I spent the majority of my time explaining my process for making my large-scale Stumpwork (or 3D embroidery) heron.

Christina describes how her 3D Stumpwork embroidery process includes making a painting of the design.

Christina describes how her 3D Stumpwork embroidery process includes making a painting of the design.

Christina shares her sketchbook of samples for making the 3D heron.

Christina shares her sketchbook of samples for making the 3D heron.

 

 

 

A second assessment piece was a 3D project (the wall piece wasn’t required to be 3D, I decided to stretch my artistic abilities and make it Stumpwork).  My vessel based on a wave went through numerous renditions.  Perfecting the shape through making models from paper, then from the heavy duty interfacing that stiffens the vessel took much more time than one would imagine.  Not to mention all the hours of beading and hand stitching!

"Upwelling" 3D textile art vessel by Christina Fairley Erickson

“Upwelling” 3D textile art vessel by Christina Fairley Erickson

We also had two historical projects for the class.  One focused on Native American stitchwork and the other on a study of Stitchwork brought to the US from European immigrants.  We made artwork based on pieces we found in our research, including some stitched samples.

Some spreads from Christina's Native American Stitch Study

Some spreads from Christina’s Native American Stitch Study

Christina's sample based on a Haida Eagle button blanket

Christina’s sample based on a Haida Eagle button blanket

 

 

 

 

 

 

 

I’m so appreciative of our tutors/mentors Gail and Penny, who led us on this journey.  As I have witnessed from their other class exhibitions, each of us as students were given the same guidelines but have developed our artwork into something uniquely our own.  I look forward to continuing on in class at the next level, when it’s offered… but I also look forward to catching my breathe after such a big push to put on an exhibition of this magnitude!  Here are some more photos of my work at the show (wish I could fit it all in!):

Dark & Moody contemporary hand and freehand machine embroidery by Christina Fairley Erickson

Dark & Moody contemporary hand and freehand machine embroidery

"It's NOT the Real Thing" - darned Pepsi cup and Christina Fairley Erickson's sketchbook design

“It’s NOT the Real Thing” – darned Pepsi cup and Christina’s sketchbook design for it worried everyone that someone had left a drink on the table with artwork!

"Crested Serpent Eagle" and "Cheeky Blue Heron" by Christina Fairley Erickson

“Crested Serpent Eagle” and “Cheeky Blue Heron”

Feelin' Good Triptych by Christina Fairley Erickson

“Feelin’ Good Triptych” by Christina Fairley Erickson was based on listening the the song “Feelin’ Good” by Michael Buble

 

I’ve always found beaches to be an incredible source of inspiration for me.  We’re lucky here in the Pacific Northwest to be surrounded with water, mountains, and greenery. Every once in a while, we even get to bask in some sunshine out in nature.

This weekend, I was up at our getaway on Whidbey Island, a 2 hour trip from our home.  The day cleared up for a short while and I took our dog for a beach walk.  What a glorious day.  This great blue heron was a little far for my camera lens (and my dog was a little too close for his comfort to stay while we advanced towards him!)  But I loved the composition and think I could make a lovely pictorial quilt from this photo.

While I love beaches and sea creatures, one could imagine they might cause some bittersweet feelings for me.  Many years ago I was an extremely active scuba diver.  I was a certified PADI rescue diver and was working on my Divemaster certification.  I assist-taught classes for beginning scuba, which meant I was diving a minimum of twice a week.  I was a diver for the Seattle Aquarium, giving shows of hand-feeding the fish (even the 4-5 foot dogfish, a native shark) on a regular basis.  For those of your from warm climates, go ahead a shiver… the Puget Sound is about 40-42 degrees F. year-round.  But the diversity of sea life is incredible in our region.  It’s like going to the Amazon rain forest, only under water.

Unfortunately, while I was starting my second year in college in oceanography/ marine biology, I had a diving mishap and ended up in a decompression chamber.  It was never 100% certain that I actually had “the bends” or whether I had a pinched nerve from carrying the heavy tank on my back.  However, the result was that I needed to choose to either quit diving or risk the potential of a serious or life-threatening injury if I were to continue.

I chose to turn the page to a new chapter in my life.  I also still choose to find joy in beaches and the sea life that I can experience, rather than holding any negativity or resentment towards my loss.  Even though I won’t ever really get to have the incredible experience of being weightless and discovering the underwater world again, I cherish my memories.  I’d love to do more artwork based on our native Northwest marine life.

One of my friends from the Contemporary QuiltArt Association, Carla Stehr, makes incredible quilts based on photographs she takes with a scanning electron microscope for her job at NOAA.  She has even published a beautiful book of photographs called “Sea Unseen” of these microscopic organisms.  Here is a video of Carla speaking about her work and it’s influence on her artwork:


Note: If you’re interested in obtaining a copy of Carla’s book “Sea Unseen”, she does have a few copies still available for sale.  Let me know via a comment and I’ll get you in touch with her.

Another wonderful aspect of the beach is finding treasures, such as this rusty grate which I found this weekend.  I’ve been saving up some rusted pieces of metal that I’ve collected off the beach and this one takes the prize!  I think the patterning will make some amazing rust-dyed fabric.

How do you feed your creative muse?  Do you have special places to go to be inspired?

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